MAD STARS
My Own
Award2026 Finalist
BrandYOKOHAMA CITY SPECIAL SUPPORT SCHOOL FOR THE VISUALLY IMPAIRED
CountryJapan
CategoryPrint Stars
AppealOthers

My Own

One student's Mount Fuji is a soft-serve cone, not the postcard

The translation and summary on this page were generated with AI. Some expressions or proper nouns may be translated inaccurately, so please check the English original for the precise content.

AI Translation Summary

A public school for visually impaired students in Yokohama built an experimental poster series from how its students actually imagine the world by touch and taste. Fuji — Japan's most standardized icon — is rendered as a soft-serve ice-cream cone, drawn with tactile materials like masking tape and plastic wrap, and set in a custom typeface built from the structural logic of Braille. Instead of asking for sympathy, the work flips the gaze: it invites sighted viewers to learn from the students' way of seeing. Launched at a national inclusive-education conference, it reframed disability as capability and drew an emotional response from prospective families.

Cultural Context

Mount Fuji is Japan's single most codified national symbol, almost always depicted the same 'correct' way — so swapping it for an ice-cream cone reads to a Japanese audience as gentle wonder rather than parody. The piece launched at the 66th National Conference on inclusive education, and its tone is deliberately one of empowerment ('fascination over sympathy'), steering clear of charity or pity tropes.

Entry Information

Summary

In Japan, “diversity” is often reduced to labels, not individuals. Yokohama City Special Support School for the Visually Impaired tailors education to each student’s way of seeing. We expressed this philosophy through an experimental poster series. Avoiding charity tropes, we bridged sighted norms and students’ sensory reality with tactile-led illustration and Braille-inspired structural typography. Students described motifs like Mt. Fuji and the Universe as they imagine them; we visualized their words using textured materials and a bespoke type system. The work shifted inclusion from passive “acceptance” to active “fascination,” celebrating individual realities over “correct” standards.

Strategy

Our strategy focused on flipping the power dynamic of the "gaze." Typically, inclusive design aims to make the sighted world's reality accessible to the visually impaired. We reversed this by making the sighted audience the ones who needed to learn from the students' perspectives. The key insight was that the sighted world’s reliance on visual "correctness" actually limits the depth of human experience. By presenting motifs like Mt. Fuji as a "soft-serve cone" or the Universe as "soft and pliable," we aimed to spark a sense of wonder rather than sympathy. This approach was designed to empower prospective families by providing tangible proof that their children’s individuality is a strength, while simultaneously redefining inclusive education for the conference attendees.

Execution

The execution fused Tactile Craft and Braille-based Structural Logic to reflect the students’ sensory worlds. Tactile Visuals: Masking tape and plastic wrap became textured surfaces that translated sensations students described (“rugged,” “smooth,” “pliable”), giving each poster a physical presence beyond sight. Braille-Inspired Typography: A bespoke type system built from Braille’s structural logic embedded its architecture into the design—expressing diversity at the level of language. Tone & Placement: Launched at the National Conference and displayed in-school, the work used a sophisticated, experimental tone to shift “disability” into “capability,” challenging sighted preconceptions.

Results

The project successfully transformed the school’s internal philosophy into a public-facing declaration of empowerment. Educational Impact: For the educators attending the 66th National Conference, the posters redefined the boundaries of inclusive education, shifting the focus from "adjusting" students to "celebrating" their unique realities. Engagement: The work sparked an emotional response from prospective families, with parents noting that the posters provided a visual future where their children’s unique traits are celebrated as strengths. Social Dialogue: By moving the narrative from "passive acceptance" to "active fascination," the posters created a bridge between the school and society, proving that true inclusion begins with a fascination for individual differences.